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	<title>Comments on: Sam Falls and Lucas Blalock on Humble</title>
	<atom:link href="http://dsheaphoto.net/blog/?feed=rss2&#038;p=875" rel="self" type="application/rss+xml" />
	<link>http://dsheaphoto.net/blog/?p=875</link>
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	<lastBuildDate>Tue, 07 Sep 2010 10:46:43 +0000</lastBuildDate>
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		<title>By: dshea</title>
		<link>http://dsheaphoto.net/blog/?p=875&#038;cpage=1#comment-35528</link>
		<dc:creator>dshea</dc:creator>
		<pubDate>Sat, 20 Mar 2010 18:13:15 +0000</pubDate>
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		<description>Hi Zach, Thanks for commenting, and sorry for the delay in response.  I touched on what I liked specifically about the work in the post -  &quot;Clone tools and hazy surfaces decorate most images, with the cognitive effect being akin to looking into a perpetual mirror tilted sideways as you scroll through the images.&quot;

I tend to like work that is about perception, both figurative and literal. Each image generally has a subject, and the post-production effects are subtle or overly played out, which completely changes the narrative that would otherwise be there. This opens up a world of interpretation. I&#039;m not going to go through each image and talk about what is interesting about it specifically, but these are the reasons I find this work interesting. I think a lot of work like this is generally vapid because it&#039;s one-linery and made for the internet, a medium defined by its impermanence. 

Hope that helps clarify!</description>
		<content:encoded><![CDATA[<p>Hi Zach, Thanks for commenting, and sorry for the delay in response.  I touched on what I liked specifically about the work in the post &#8211;  &#8220;Clone tools and hazy surfaces decorate most images, with the cognitive effect being akin to looking into a perpetual mirror tilted sideways as you scroll through the images.&#8221;</p>
<p>I tend to like work that is about perception, both figurative and literal. Each image generally has a subject, and the post-production effects are subtle or overly played out, which completely changes the narrative that would otherwise be there. This opens up a world of interpretation. I&#8217;m not going to go through each image and talk about what is interesting about it specifically, but these are the reasons I find this work interesting. I think a lot of work like this is generally vapid because it&#8217;s one-linery and made for the internet, a medium defined by its impermanence. </p>
<p>Hope that helps clarify!</p>
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		<title>By: Zachary Norman</title>
		<link>http://dsheaphoto.net/blog/?p=875&#038;cpage=1#comment-34942</link>
		<dc:creator>Zachary Norman</dc:creator>
		<pubDate>Fri, 12 Mar 2010 04:29:52 +0000</pubDate>
		<guid isPermaLink="false">http://dsheaphoto.net/blog/?p=875#comment-34942</guid>
		<description>Hi, 

I don&#039;t necessarily disagree that Falls&#039; and Blalock&#039;s work is not &quot;unremarkable and vapid&quot; but now that you mention it I&#039;m not really sure why it isn&#039;t. I enjoy looking at it but if you were forced to say why it is remarkable and stimulating what would you say? 

Thanks for your response.</description>
		<content:encoded><![CDATA[<p>Hi, </p>
<p>I don&#8217;t necessarily disagree that Falls&#8217; and Blalock&#8217;s work is not &#8220;unremarkable and vapid&#8221; but now that you mention it I&#8217;m not really sure why it isn&#8217;t. I enjoy looking at it but if you were forced to say why it is remarkable and stimulating what would you say? </p>
<p>Thanks for your response.</p>
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